Friday, February 11, 2011, 6:30 AM
creative technique
What’s the difference between a ‘traditional’ portrait photograph, and an artistic portrait photograph? To start, the traditional version is usually made up of a series of headshots, with the person smiling serenely for the camera. They can be great photos, but let’s be honest, they’re a little boring as well.
Portrait photography has morphed into a multifaceted form of photography, where the subject is closely examined from all, and every angle. Moods, emotions, moments – everything that can be taken from the subject is recorded on camera. It’s no wonder than portrait photography has become such a creative art, with a host of new dynamic techniques used to strike that perfect balance between scene and subject.
Portrait photography can be very artistic you just need a few tried and tested techniques to try out.
Let’s take a look at 8 creative techniques that portrait photographers use to get the most out of their time with their subjects.
1 Over and Underexpose Your Portrait
Increasing or decreasing the light in portraits can make for some interesting effects. An overexposed image can add a light, soft feel to your portrait, while an overexposed image gives your subject that darker, broodier feel. Like most great effects in photography, these are used to enhance the mood in your portrait. Underexposure can be used to highlight the light parts of your subject, like the eyes – a key feature in portrait photography.
Experiment with over and underexposing your portraits for an enhanced mood that will make your photos stand out.
2 Try Artistic Posing
There are hundreds of different ways you can compose your portrait, so why not try a few strange, or exciting poses for unique results? A full body portrait of a man lying horizontally on a wooden beam, is far more interesting than a photo of him leaning against a wall. Place your subjects in difficult, or downright crazy poses for the most inspiring portraits. This is especially great if your subject is naturally fun – it will exemplify their personality and capture a special moment in time.
Position your subject in fun, exciting or interesting ways for creative results.
3 Use Backlighting
You don’t always have to see the detail in your subject to create an awesome portrait. Photographers often use backlighting to produce a kind of halo effect behind their subjects, that can be deeply resonant, even beautiful. You take this a step further and play around with backlighting and silhouettes for really artistic compositions. Use creative poses and warm colors to make your subjects hair seem golden, and photograph them from different perspectives.
Use backlighting to compose some really artistic portraits of your subjects.
4 Use Shadows
Distorted or composed shadows can be a great addition to your portrait. As an extension of your subject, they should be used to add to the message that your composition is trying to get across. For example, a woman standing in torn clothing against a wall, with a long looming shadow behind her – speaks of some dark past, or burden she has hanging over her. The shadow becomes part of your composition, as a key element in explaining the person behind the portrait.
Use lighting techniques to manipulate your subject’s shadow for some creative effects.
#5 Props are Great
One of the best ways to get some real emotion from your subject is to use props, to either occupy, or amuse them while you take photos. This is often done in new born photography, where the photographer places the baby in a basket on the dining room table, and shoots some size portraits from there. It can be used for personality enhancement, like a teen and her blackberry, or a mom baking.
When you take the time to consider the props that are going to accompany your subjects in the composition, you can come up with some really creative ways of bringing out their personality, or emotions. Use scenery and random objects as well, to turn a boring portrait into an interesting work of art.
Props can be the difference between a great portrait and a boring one – use them!
#6 Use Movement
Portraits don’t always have to be 100% crisp – they can also be blurry for a reason. Capturing movement or motion in portrait photographs is a great way to get a high energy shot, and to enhance the emotion of the image. A blurred angry man screaming for example, will have more impact than a still of a man screaming. This is because the blurred streaks show the angst and fury that a still just can’t capture.
Take portrait photographs of movements for high energy, emotive portraits.
#7 Zoom In Close
Resist the urge to constantly frame the head and shoulders in a perfect composition. It’s not that exciting! Instead, zoom in extra close to your subject and photograph parts of their face and body. By doing this you give yourself the opportunity to hone in on a sudden glance, or a fleeting feeling that dances across your subject’s face. The best shots are a close ups of person’s eye, nose and part of their mouth. They can be very stirring.
Zoom in close for artistic portraits that fill your frame and exude emotion.
#8 Use Texture
Texture is a great element to enhance portrait photographs. Instead of shooting with perfection in mind, shoot raw images that highlight texture on your subjects face, clothes and surrounding. Use interesting textured patterns as backgrounds as well, for sharp contrasts or perfect color balancing.
Experiment with texture in your portrait photographs for raw images in high contrast.
These 8 artistic techniques will set you along a more creative path as a portrait photographer. Try out some of these exciting tips, and see what kind of mood you can produce in your image!
6:09 AM
10 photography tips
Each time you spot a subject, snap a shot and then move in closer for a better shot. Having your subject almost fill the frame helps your viewer understand and appreciate your photo. Also, details are often more interesting than an overall view.
Keep moving in closer until you are sure the photo will successfully represent your subject.
BE QUICK
If it is at all possible that your subject may move, bolt, fly away, stop smiling, or just get tired of waiting for you to take the picture, shoot once right away.
Practice getting quicker and quicker to the draw.
Do not worry about taking too many pictures and do not wait until you're absolutely certain all the knobs and buttons are in their correct position.
As the motto of me, "Shoot First, Ask Questions Later."
COMPOSE YOUR PICTURE WITH CARE
Even if you don't plan on selling your photo to the Smithsonian, make every effort to keep it balanced and beautiful. On one level or another, everyone responds better to a picture that has all elements in balance.
Strive to lead the eye along an interesting path through the photo, with the use of strong lines or patterns.
- Keep the horizon level;
- Crop out extra elements that you are not interested in (more on this is the next tip);
- Consciously place your subject where you think it most belongs rather than just accepting it wherever it happens to land in the photo;
- Play with perspective so that all lines show a pattern or lead the eye to your main subject;
- Work with the rule of third
BE SELECTIVE
Discern what you are really interested in and center your efforts on getting the best photo of this subject, whether it a still life, your funny cat, your doggy, a friend, a family matter, a mood, a place or culture.
Then be sure to keep anything that would distract out of the picture. Go as far as ansel adam's didto remove unwanted elements.
The easiest way to do this is to watch your borders - the edges of the view you see through the camera's viewfinder. Then recompose if anything - such as an unattractive telephone wire, an old soda can, a distracting sign, your finger, or your camera strap - hangs into your picture.
It can become more difficult if you want to, say, shoot a San Francisco cable car without a single distracting telephone line. But even in such a difficult case, you have many options.
You can:
- Focus in on a close-up that tells the whole story;
- Move around until you arrange the telephone lines into a neat pattern that leads to the subject; or
- Take a panning shot that makes the cable car remain in focus while the background goes blurry.
FOCUS ON YOUR SUBJECT
Practice shooting with different apertures and monitor the results afterwards to learn how depth-of-field affects your photo.
You will find that a smaller depth-of-field (and smaller f-stop #) focuses all the attention upon your subject. This is great for taking a picture of your child, your dog, or your husband - subjects stand out against a blurry background.
Likewise, you will find that a greater depth-of-field (bigger f-stop number) will make everything from here to eternity appear in focus. This will help make those landscapes fascinating and lovely.
You will also want to become familiar with the way your camera focuses. If it is a simple point and shoot camera, you will likely indicate which part of the picture to focus on by following these steps:- Aim so the object you want in sharp focus is in the center of the viewfinder.
- Press the shutter button down half-way and hold it.
- Move your camera until you have the composition you like best .
- Press the button down the rest of the way to take the picture.
EXPERIMENT IN TIME
One of the most basic, overlooked, and fun aspects of photography is that you have the power to slow time down or catch a split second.One image happens so slowly that we could never see it and the other happens so quickly in real time that we would never notice it. Play with shutter speed!
Use a slow shutter speed and a tripod to make a pretty picture of any creek or stream. On the other hand, you can use a fast shutter speed (1/500 and up) to capture an object in motion.
Combining a fast shutter speed with a long lens, you sports buffs can get a trophy of your own when you are able to catch the expression on your favorite runningback's face as he slips past the final defense toward a winning touchdown. Remember, catching the moment in fast-paced action photography may take a little more practice so hang in there.
LOOK AT THE NIGHT
By this, I don't mean look into the sun - no, that won't do at all. But it is good to see what kind of light you are working with. Which way are the shadows falling? Unless you want a silhouette effect, where your subject is black against an interesting background, it's generally best to shoot with the sun behind you.
How is the light affecting your subject? Is the subject squinting?
Is the light blazing directly and brightly upon your whole subject? This works well if you are in love with the bold colors of your subject.
Side lighting, on the other hand, can add drama but can also cause extreme, hard-to-print contrasts.
Lastly, indirect light can be used to make your subject glow soft and pretty.
WATCH THE WEATHER
L
ook outside and decide whether or not you are going to want to have the sky in your picture.If it's overcast, simply keep the sky out of your pictures as much as possible. This is usually the best way to avoid both muted tones in your subject and washed-out skies in your background. You might also find black and white pictures of an overcast day more pleasing than color.
When the day is beautiful, go ahead and make the most of it.
If your camera allows for the use of filters, purchase a polarizer. This will help you render deep blue skies against bright white clouds, richly contrasting colors, and other wonderful effects with a simple twist of the wrist.
KEEP IT SIMPLE
While you may wish to have "all the bells and whistles" available just in case, you will probably get the best results if you do not try to use them all the time and instead learn a simple set up that works best for you in most situations.This doesn't necessarily mean keeping your camera set on "Program" - while this mode may be perfect in its simplicity, it may be frustrating in its tyrannical control.
Instead of relying on a fully automatic program, pick a simple, semi-automatic program such as aperture-priority and master shooting in that mode. Then, you'll be able to control certain basics without letting the other basics control you, and thus keep that 150 page manual where it belongs - in your camera bag.
Tip: if you want one accessory, bring a tripod This one item can solve camera shake issues and help you get beautiful evening shots.
BE BOLD
Don't allow yourself to be paralyzed by fears of using the wrong settings, or an non-politically-correct social policy.
If you are afraid of upsetting someone by taking their picture, just go up and ask if it's okay. Ask them to sign a release and offer a print in return.
With wildlife, adopt a low-impact method when you go places where few photographers have gone before. For the above photos, I put my camera and telephoto in a waterproof bag and kayaked out into Monterey Bay. (Lawyer-talk: This can be dangerous - so be careful.)
Be wise... but be bold.
There you have it - basic but helpful, I hope. Now go out there, make some great shots, learn from the failures, and have fun.